Along the banks of the Allegheny River on a tepid September day in 2009, a college freshman decided to read the complete works of Henry David Thoreau.
Needless to say, he never reached his goal.
Reading the entire corpus of an author is pretty difficult. Not only for the sheer volume it contains, but also for the access it requires, with some books relegated to expensive collections. It’s also a question of utility: Why read an entire author’s oeuvre, when you’ll probably forget most of it?
But in digital humanities, the use of technology allows a range of new practices–new “reading” and analysis–that makes this act a little more feasible. Franco Morretti’s “distant reading,” for example, can allow a scholar to sift through millions of texts, using different data-driven lenses to pry out patterns.
And while this ability to access large swaths of text is helpful in itself, technology can play with texts in other ways, highlighting certain words, collecting certain patterns, making visualizations. As Tanya Clemens points out, such methodologies “defamiliarize texts, making them unrecognizable in a way (putting them at a distance) that helps scholars identify features they might not otherwise have seen.” This defamiliarizing lies at the heart of literary scholarship, finding new ways to understand texts.
But for now, I want to get back to my freshman self, sitting on the riverbank, reading an old library book of Thoreau.